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''Peepshow'' is the ninth studio album by the English band Siouxsie and the Banshees and their first as a quintet. With the arrival of multi-instrumentalist Martin McCarrick, ''Peepshow'' was one of their most musically complex albums, including the singles "Peek-a-Boo" and "The Last Beat of My Heart". The album was both a critical and a commercial success, peaking at No. 68 on the ''Billboard'' 200 chart in the week of 3 December 1988.〔(【引用サイトリンク】work=Billboard.com )〕 This album was reissued in a remastered version with bonus tracks in October 2014. ==Critical reception== ''Peepshow'' was received very warmly by critics. ''Q'' wrote in its 5-star review: "Peepshow takes place in some distorted fairground of the mind where weird and wonderful shapes loom." Reviewer Mark Cooper hailed "Martin McCarrick's accordion that pokes its way into Peek A Boo () a carny piece of musical imagination". He noted that "the rest of the record bursts with similar acts of imagination", saying: "full honours go to the aforementioned McCarrick for all manner of shrewd decorations and drummer Budgie for endlessly inventive rhythm work that manages to pinpoint the tension inherent in each song without ever lapsing into an obvious beat".〔Cooper, Mark. ''Peepshow'' review. ''Q'' magazine. September 1988.〕 ''Melody Maker'' highly praised its first single, "Peek-a-Boo", and called it "quite the most astounding British record" of 1988, and "a brightly unexpected mixture of black steel and pop disturbance."〔Mathur, Paul. "Born Again Savages". ''Melody Maker''. 9 July 1988.〕 The paper also praised the band for the ballad "The Last Beat of My Heart". Chris Roberts said: "The infinite pinnacle is their one joint effort, the bravura hymn "The Last Beat of My Heart". As Martin McCarrick's accordion and Budgie's directly intelligent rhythms underlie its pathos, this elegy is translated by Sioux with capital beatitude. It's the Banshees' most courageous arabesque in some time."〔Roberts, Chris. "Psalm Enchanted Evenings" (review ). ''Melody Maker''. 10 September 1988. "Peepshow is hesitantly hypnotic. It seduces you back. More than ever, the composition credits go to Sioux or Severin individually, this accounting for the suppliant proximity of their airs. Sioux's 'Turn To Stone' and 'Rawhead And Bloodybones' are simply disquieting, 'Burn Up' is flushed with Eros. Severin's 'Rhapsody' allows some stirring melodrama but the infinite pinnacle is their one joint effort, the bravura hymn 'The Last Beat Of My Heart'. As Martin McCarrick's accordion and Budgie's directly intelligent rhythms underlie it's pathos, this elegy is translated by Sioux with capital beatitude. It's the Banshees' most courageous arabesque in some time. If they have enough majesty in their guts to put it out as a single we really will be witnessing a renaissance."〕 ''Record Mirror'' also particularly enjoyed that song when reviewing the album: "The highlight is the restrained 'The Last Beat of My Heart', where Siouxsie's voice explores new ground as she caresses a haunting melody."〔Murphy, Kevin. ''Peepshow'' review. ''Record Mirror''. 10 September 1988〕 ''NME'' noted a change of approach in the musical direction: "Peepshow is the best Banshees record since ''A Kiss in the Dreamhouse'' because it's the Banshees deciding to be a pop band rather than a rock group".〔Shelley, Jim. "Ornament of Gold". ''NME''. 24 September 1988.〕 ''Spin'' published a glowing review of the album in their November issue. Discussing "Peek-a-Boo", critic Tony Fletcher said that it's "mood fell in perfectly with their beloved London's summer fascination with the sparsity and confusion that call Acid House, Psychedelic and how!" He described the music of "Peek-a-Boo" as "a crazed assortment of fairground accordions, abrupt horns, distant to-and-fro vocals-exotic, erotic, a dancefloor winner for sure and all of three minutes short."〔 Fletcher also hailed the other tracks, noting "an almost lilting reggae feel to the beginning of "Killing Jar", a fragile, waif-like Siouxsie backed only by translucent guitar and a keyboard bass on the brief "Rawhead and Bloodybones", and a delightful, majestic ballad the likes of which it had been a safe assumption was beyond their reach on "The Last Beat of My Heart". () As Peepshow ends with the drawn-out "Rhapsody", Siouxsie's operatic flings seem to be a celebration of her reawakened capacity to thrill."〔 Fletcher concluded: "She and the band sound as confident, abandoned and excited as when they started".〔Fletcher, Tony. "Peepshow" review. ''Spin'' magazine. November 1988. Page 92-93.〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Peepshow (album)」の詳細全文を読む スポンサード リンク
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